Connections of Intent: A view from the studio Part 4
In the previous post I laid out the thoughts written in my studio journal along with a page as reference to how I sort through thoughts and ideas in regards to the direction of the painting and the objects within.
I am in the process of glazing on the painting now. This is the technical aspect of using a medium, a mixture of turps and varnish, in which to float color laying down a nearly transparent glaze on top of the painted surface. There is no regret in this process for once it is laid down it cannot be taken back up or altered. Intense and highly emotional; it exhausts and at the same time exhilarates.
Perhaps it is a metaphor for life: this idea of abject risk and the courage to leap; to find safety within the knowledge that one has done the preparation to be able to, at the very least, trust in having a firm foundation to leap from; to then embrace and let go.
There is a drying time involved before being able to lay down another glaze, and it is this aspect of glazing that can give a painting it’s rich sense of light and shadow.
I had promised a further look into the studio journal, using a section of one area within this painting, so here is a more detailed look at the painting along with some poetry and the symbolic references:
This page is from the 6th of February and is a detailed description of the book on the lower left side of the painting. It is, in essence a map of the imagery painted upon the pages, the symbolic nature of each object laid down.
God’s eye and the moon
Symbol for transcendental consciousness
Ohm- breath of God
Tree of life with all knowledge upon its’ ever growing branches spring froms the symbol of infinity
Words hate and fear overshadowed by the shadow of the white shaped winged spirit
Music staff and notes
Pieces of poetry
Vesica piscis:center of two circles circumference where their outer edge transects the axis point symbolizes the second stage of creation (seed of life that comes from God- God’s consciousness began from the 1st sphere journeyed to the furthest edge where it formed the second circle)
These ideas and thoughts compel me and are the foundation from which I find excitement and paint. But, once again, this information is only found by those who have stumbled upon the information in their own studies, so they add to the depth of the painting but they don’t carry the weight, so to speak. That has to come from the nature of being a painter and the movement of color and light, shadows and objects and their interplay that creates an emotional respones first of all.
up from fear releashed
shadowed upon book’s traced
succombing, letting go
in this lifes choice
embraced into harmony’s grace.
Here is the progression in photographs:
3rd week: 2.1.14
4th week 2.8.14
5th week 2.16.14
"The Reunion of Memory" 72"x53" oil on canvas 2014
As I finish glazing I now need to turn to the next painting. When this piece is dry enough I will frame the last three paintings and then post them here. JDW